I Want You To Take Me To Places That I Don't Know

Thanks for killing me softly

Thanks for killing me softly


M i s t.

Todo Negro

M i s t.

Todo Negro


Brett Amory - Anonymous #7 (2013)

Todo se vuelve negro.

Brett Amory - Anonymous #7 (2013)

Todo se vuelve negro.


Te nomino para morir.

Te nomino para morir.


Collage by Andrea Mata.

No dejes que.

Collage by Andrea Mata.

No dejes que.


La presión del agua decide tu destino hoy

La presión del agua decide tu destino hoy


UK (by urtaur)

Tierra llamando a kiddie

UK (by urtaur)

Tierra llamando a kiddie


Te voy a partir de dos

Te voy a partir de dos

L’homme qui ment - Alain Robbe-Grillet - 1968

Prometimos no matarnos o mutilarnos mientras no nos vemos. Para mi eso es mas que suficiente


Mark Borthwick, Helen, 1993.

Nada tiene que ser tan difícil de expresar

Mark Borthwick, Helen, 1993.

Nada tiene que ser tan difícil de expresar


El cielo de los ciegos

El cielo de los ciegos


Merry-Go-Round, Fields, Oregon by austin granger on Flickr.

El tíovivo no puede morir.

Merry-Go-Round, Fields, Oregon by austin granger on Flickr.

El tíovivo no puede morir.


Rémi Nöel

Sólo vives una vez?

Rémi Nöel

Sólo vives una vez?


A young Alfred Hitchcock conducting a sound test on the set of his first “talkie” film, BLACKMAIL (circa 1928). The film was originally meant to be silent, and Czech actress Anny Ondra (right) had such a thick accent that English actor Joan Barry stood off camera and spoke her lines instead

A young Alfred Hitchcock conducting a sound test on the set of his first “talkie” film, BLACKMAIL (circa 1928). The film was originally meant to be silent, and Czech actress Anny Ondra (right) had such a thick accent that English actor Joan Barry stood off camera and spoke her lines instead